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Daniel Edlen: Vinyl Art puts a New Spin on Records

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Today I get to post an interview with Daniel Edlen!

You have a really great niche and branding- out of many of the artists on Twitter, I find your art really sticks out because of the limiters you’ve placed on it: vinyl & music. When that was happening, did you realize what was going on?

I’ve been involved with art since I was very young, learning tools and practicing skills. When I came up with the idea of painting musicians on records in high school, it was for the challenge of trying it out and it seemed a natural combination of my love for both music and art. It was the concept that stuck.

Authenticity, or staying true to your gut, is one of my main motivators, so when I started selling them, after many years, it never was a question of what more I would do. The concept stayed the same, so the projects would have to as well. I’ve been really lucky in that I was able to preserve the concept and my sovereignty over it.

From the beginning of turning Vinyl Art into a business with a license and logo, I knew it needed to stay that way. My whole life I’d always confused people because I could do so many things, learn and excel at a wide variety of disciplines. With Vinyl Art I was determined to make it clear and easily communicable.
The first gallery that picked up my work, Wild About Music, liked work that was “affordable and portable”. That phrase applies to the concept of my work. It doesn’t require much time or thought to get what it’s about, and it’s easy to share. I knew that would help spread knowledge of what I do and have a wide audience.

You have a newsletter- how have you found it to be helpful in connecting with people?

The newsletter, has probably been most helpful in staying connected with people. I’ve had very few people initiate contact with me through it. The way I initially presented it was with an email to all the people I’d had contact with before, requesting they  reply to subscribe. I didn’t just start with everybody on the list and require they opt-out. I went with opt-in because, while I knew fewer people would end up subscribed than might want to be, I knew that those who did subscribe really wanted to know what was going on in my life and art on an ongoing basis. They follow the big stories consistently.
Do you have a separate website for your Lit(art)ure?
I’ve raised the prices a couple times since I started out, based on feedback and figuring out how much I needed to make. Basically, one painting is how much my health insurance costs for a month. That’s gone up recently, so I might be increasing the price for framed pieces again, but I’d like to keep it where it is to keep it affordable. I’ll be charging for premiums like priority completion, color tinting, and inscriptions along the inner groove, if desired. I raised the price of my unframed pieces because I didn’t feel good in my gut about selling them for that low.

I programmed and designed my site completely from scratch, having taught myself HTML back in college. I use PayPal because the fees are low and only apply to transactions, and I’ve never had a problem even with international orders. My site requires a lot of upkeep that most would probably laugh at me for doing, but, while the prevalent blog format today serves its purpose, I don’t think most people looking seriously to buy art would go for it. And I don’t have the money to spring for a really sophisticated database-driven site.

Any frustrating moments? How do you get past barriers or mental blocks?
The frustrating moments I’ve had are with things out of my control. I’ve had mixed dealings with galleries. Wild About Music has been wonderful to work with, but there’ve been a couple places that haven’t been. Also, I’m very aware of the copyright issues relating to what I do and any unauthorized reproduction or online use of images of my work could create serious problems, so, while exposure is good, credit has to be given where due, mostly to the photographer of the image from which I drew inspiration, if I know.
I’m really good at figuring out the big picture and understanding motivation, so I can usually get past external barriers that way. My commitment to what I’m doing doesn’t allow mental blocks to form. Painting is my meditation, so I never have a problem with the actual creative part of Vinyl Art.
What do you consider your best success?

Getting to have David Lynch autograph the piece I painted for him to then auction for his foundation is probably my biggest success. I love being able to say thank you in my way to those who’ve created the culture I cherish, and his movies and Badalamenti’s soundtracks are huge in my book.

What do you see happening with your art in the future?
I want my wife to get the opportunity to take the photographs of the musicians I want to paint, and then to paint special pieces for those musicians to somehow benefit their charity of choice. The goal is to fit myself into our culture in my unique niche and contribute generously back to it.
Daniel Edlen’s work is featured in Playboy’s Mantrack Holiday Gift Guide!
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  1. [...] Publicity- Be bigger than “them.” If I tried to pass off Eminem’s recordings as my own, you better believe I’d be called on it immediately and heavily mocked. [...]

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